The whole is never fully visible, only approached through time; partial, broken, appearing on the surface but deeply resonant.

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Experiencing cinema as both a particle and a wave.

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​My work often builds uncanny wholes from fragments, using frame-by-frame construction, texture, and temporal disruption to make time feel unstable and tactile.

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The means by which images are made offer important interventions with political, environmental, and cultural implications.

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Alternative processes allow for deep engagement with time (construction and experience), and relationships with the physical world that resist premade commercial packaging.

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